Further detail was added to the break in the cloud, suggestions of moonlight creeping in. Adding the reddy orange glow of a fire emerges. The struts of a building begin to take shape around the fire. As the glow is reworked it starts to take centre stage of the painting.

 The reds of the fire and the shine of the moonlight work perfectly to pick out the spires of the Millennium Stadium yet the darkness of the clouds behind swallow much of the form to make them purposefully hard to work out.